Unlocking the transformative potential of culture for sustainable development is our common ambition and this process is already underway. Culture is firmly anchored in the 2030 Agenda for SustainableDevelopment, and Member States themselves are giving it an increasingly important place in the international development programmes, in the fields of education, economic development, development and social inclusion.
The Freemuse State of Artistic Freedom Report 2022 shows the extent of attacks on artists and creative freedom in 2021 in numbers and infographics that illustrate the stark reality of the struggle for this right. They show the numbers of artists reported killed, imprisoned, brought to trial, attacked, and subjected to other forms of persecution. There is also a breakdown by region and by sector – music, film, and other art forms.
This report focuses on the needs of civil society, the main challenges facing the cultural sectors in the region such as artistic freedom, dialogue with governments, gender equality, cultural policies and the treatment of culture in trade agreements. Due to the vastness of the Asia-Pacific region and the time allotted for the study, not all countries and regions in AsiaPacific are represented in this report. While some challenges and needs may be recurrent in a majority of countries, most are specific to local contexts and particular histories.
This ‘Culture and the UN Sustainable Development Goals: Challenges and Opportunities’ report results from brainstorming sessions organised as a Voices of Culture Structured Dialogue. The Structured Dialogue framework enables communication between the European Commission and the cultural sector. Its main objective is to provide a channel for the voice of the cultural sector to be heard by EU policymakers, a voice represented by a group of expert practitioners in Europe selected through an open call.
Recalibrating the Compass: New Approaches to Asia-Europe Cultural Relations summarises the insights, ideas and recommendations highlighted throughout the series and presents guidance for future work in the field of Asia-Europe cultural relations. Apart from passing on knowledge on how to navigate the current challenges of international cultural relations, this publication will provide some starting points when thinking about the roles stakeholders can play in the field of Asia-Europe cultural collaboration and possible strategies for a post-pandemic recovery.
The Taskforce identified a real risk that Ireland will emerge from COVID-19 to find its arts, culture and events sectors decimated, with some venues closed for good, many businesses folded, large numbers of skilled and talented performers and workers gone to other careers, and much of the experience and creativity of the sectors gone. It could take years to rebuild these essential sectors.
The World Cities Culture Report 2022 is a unique research project, building on the ground-breaking 2015 and 2018 Reports and created with 40 partner cities, across six continents, over two years.
The COVID-19 pandemic has encouraged discussion of the broader culture as representing, in some instances, a “global public good”, through its capacity to promote social cohesion, increase people’s resilience and connect communities to different forms of cultural expression, in addition to its commercial value.
Workers in the cultural and creative sector (CCS) are involved in a wide range of jobs and activities including advertising, gaming, newspapers and magazines, motion picture production, sound recording and music production, as well as live performance and radio/TV broadcasting. In 2015, UNESCO estimated that the cultural and creative sector worldwide generated US$2,250 billion in revenues. According to 2019 ILO estimates, there were nearly 180 million people employed in the arts, recreation and entertainment, representing 5.4 per cent share of global employment.
