Culture in Times of COVID-19: Resilience, Recovery and Revival offers key insights on trends and structural transformations that can boost the culture sector as a cornerstone of an economy built on sustainability and well-being.A set of strategic development considerations are put forward for governments and their partners, in both the public and private sectors, to promote the value of culture as a public good, encourage cross-sector collaboration and holistically address the essential needs of the sector, while supporting cultural professionals in adapting to a changing world and providing equal access and opportunities across the culturalvalue chain.
On the following pages we will study the potential of edutainment, focusing mainly on those tools, methods, and content from Cultural and Creative Industries (ICC) that foster innovation. Edutainment: Trends and Digital Strategies is part of the IDB editorial series, Art, Culture and New Technologies in Latin America and the Caribbean, intended to point out the impact of digitization, the adoption of technologies by cultural and creative industries from the region, and how this can catalyze innovation, social cohesion, and change.
The British Council together with the Jogja Festivals Study Centre joined forces to study the landscape and key players of festivals in Yogyakarta, Indonesia and South East Asia. Particularly for the South East Asian Region, this has become one scope to study due to the key role that the Indonesian government played in initiating the ASEAN Working Group of Creative Economy, the World Conference on Creative Economy and the fact that there are many international festivals.
It is well-established that bringing more women into the formal labor force is critical for economic development. One strategy often cited is further integrating developing countries into global trade, particularly global value chains (GVCs), to contribute to female labor market outcomes through the expansion of female-intensive industries. As a result, a big question frequently debated, is whether the apparel industry – which is the most female-intensive and globally engaged manufacturing industry – can be a key player in this regard. In recent decades, the apparel industry has shifted its production to low-wage developing countries, increasing the demand for women, closing male-female wage gaps, and bringing women into the formal labor force. Indeed, the benefits of apparel exports have reached the female population, but is an apparel-led export strategy sufficient to induce the transition from jobs to careers? This Report provides an answer by focusing on seven countries where the apparel industry plays an important role in its export basket – Bangladesh, Cambodia, Egypt, Pakistan, Sri Lanka, Turkey, and Vietnam. The Report’s key finding is that countries should take advantage of the apparel industry as a launching platform to overcome the fixed costs of introducing more women into the labor market. However, for this approach to work, there needs to be complementary policies that tackle the barriers that hinder women in their pursuit of long-term participation in the labor force and better-paid occupations.
Using quantitative and qualitative data tailored for this research, we will review the main challenges the food industry is currently facing. We will discuss its growth and the ways in which LAC restaurants can be strengthened as a core center where other creative industries can converge. Gastronomy: Trends and Digital Strategies is part of the IDB editorial series, Art, Culture and New Technologies in Latin America and the Caribbean, intended to point out the impact of digitization and the adoption of technologies by cultural and creative industries from the region, and how this can catalyze innovation, social cohesion and change.
The Work Plan for Culture 2019-2022 selects gender equality as one of the five sectoral priorities for EU action. The purpose of this study is to provide background information and context on the specific challenges faced by women in the cultural and creative sectors for the OMC Working Group. The main focus of the report is on understanding the current state of affairs concerning women in the CCSs, the gender gaps at work, and the underlying drivers of those gender gaps. Available quantitative data has been mapped for the different sub-sectors within the CCSs, and has been combined with information from qualitative literature and expert interviews to establish the state of affairs regarding women in these sectors, along with the drivers leading to this state of affairs. The report provides an overall analysis of gender gaps in the CCSs as a whole and presents examples of the types of initiatives which have been implemented to address these gender gaps.
What does it mean to be a creative entrepreneur and how can you establish yourself in the market as a creator? The perFORM Music Incubator is a music business and artist development project in Kenya initiated as part of the project Cultural and Creative Industries to support music creators in building sustainable careers.
This discussion paper was prepared by the OECD at the request of Indonesia G20 Presidency to support the discussions in the G20 Tourism Working Group on 23 September 2022, and the G20 Tourism Ministers Meeting on 26 September 2022. The paper i) provides an overview of the links between tourism and cultural and creative sectors, ii) outlines the importance of cultural and creative sectors internationally, iii) discusses the benefits and challenges of creating a more integrated approach to cultural and creative tourism policy, and iv) suggests issues for discussion and areas for further G20 cooperation.
Based on new quantitative and qualitative data tailored for this research, we suggest different ways in which museums in LAC—at the core of a network formed by other creative industries—can resume and enhance growth. Here we consider a museum a space for innovation, social transformation, digital disruption and economic development. In addition, we intend to look at their paramount and yet not sufficiently explored opportunities, their challenges, and their ongoing and future strategies, especially in the context of their relation to new technologies, since the onset of COVID-19. Museums: Trends and Digital Strategies is part of the IDB’s editorial series, Art, Culture and New Technologies in Latin America and the Caribbean, intended to point out the impact of digitization and the adoption of technologies by cultural and creative industries from the region, and how this can catalyze innovation, social cohesion and change.
Music and Performing Arts: Digital Trends and Strategies is part of the IDB’s editorial series, Art, Culture and New Technologies in Latin America and the Caribbean, that aims at identifying the ways in which technology can drive innovation in the creative economy. The sector generates a multidimensional impact rarely analyzed from an economic perspective, considering them productive activities worthy of attention and promotion. These industries provide entertainment while also contributing to the economy by creating jobs —many of them based on innovation and creativity—, creating attractive assets for investment, talent and tourism, and by fostering social cohesion, while promoting mutual understanding and empathy.
The EU/UNESCO programme ‘Supporting new regulatory frameworks to strengthen the cultural and creative industries and promote South‑South cooperation’, implemented in 12 UNESCO Member States between 2018 and 2022, leveraged peer‑to‑peer learning as an innovative and effective way to create, strengthen and update policies and regulatory frameworks that support creativity, while promoting diplomatic and cultural exchanges between peers. This toolkit captures the success of the programme. It details each phase of the peer‑to‑peer learning process, lists dos and don’ts, and offers key recommendations. Policymakers, civil society representatives, cultural practitioners and stakeholders are invited to rely on the guidance provided by this tool to develop better informed and stronger policies and regulatory frameworks for creativity, as well as strong networks among creative sectors.
From dance to puppetry, museums to festivals, indigenous creators to intangible heritage practitioners, thousands of individuals and organizations joined the movement to make their voices heard. Over 350 ResiliArt roundtables were organized in less than two and a half years, providing UNE-SCO with an unprecedented number of first-hand accounts of what it means to be a creator today and pointing towards the necessary transformations to ensure a more sustain-able sector.
While music rights holders are collectively being remunerated more than ever before, the (re)distribution of revenue in the music streaming value chain remains extremely uneven and opaque. When the COVID-19 pandemic curtailed live performance opportunities, it became clear that despite the success of music streaming, the great majority of artists remain unable to rely on digital revenues alone to sustain their livelihoods. This policy brief provides a critical overview of the challenges and opportunities posed by different revenue-sharing systems for the music sector’s main stakeholders, including artists, composers, labels, and distributors, while also identifying how these systems, can have an impact on the diversity of cultural expressions more generally. Building upon secondary research and interviews conducted with a variety of industry experts, it sheds light on existing initiatives which serve to improve diversity in the sector, summarise the main trends observed, and offers perspectives to ensure that the industry not only operates in a sustainable manner, but that it is ultimately representative of all those who desire to participate in it.
The cultural and creative sectors were among the hardest hit by the pandemic, with over 10 million jobs lost in 2020 alone. Public investment in culture has been declining over the last decade and creative professions remain overall unstable and underregulated. Although culture and entertainment are major employers of women (48.1%), gender equality is a distant prospect. Re|Shaping Policies for Creativity – Addressing culture as a global public good offers insightful new data that shed light on emerging trends at a global level, as well as putting forward policy recommendations to foster creative ecosystems that contribute to a sustainable world by 2030 and beyond.
This book describes the forms of copyright-based transactions and contractual practices that together form what could loosely be described as an international standard. It can be observed in countries where film and audiovisual production industries have reached a certain level of maturity in terms of legal, financing and distribution infrastructures. Some countries where such industries are still emergent face challenges in delivering a supportive infrastructure for creators, producers, performers and other right holders to access the national copyright framework and ensure they are appropriately protected and incentivized by it. Experience also shows that – over a certain budget level – no matter where a producer lives and works, they will need to reach out to the international community of film financiers and distributors, and so become familiar with the global market for film rights and the legal standard required to establish the necessary copyright documentation.
This profile aims to analyse the wealth of data on the media and culture sector (MCS) and its sub-sectors, using as a starting point economic activities rather than occupational profiles. While this provides an opportunity to highlight the overall employment contribution of the sector (i.e. through its artists, professionals, technicians, and non-talent-based workers), it may not fully highlight the significant differences in working hours, contractual arrangements and employment status that exist among the various occupational profiles that characterize this diverse and vibrant sector.
To analyze SSCM in the fast fashion industry, this study compares the sustainability reports of H&M and Everlane, industry leaders with strong sustainability messaging. This comparison reveals that fast fashion has failed to sufficiently engage upstream and downstream stakeholders in their SSCM strategies. Moving forward, fast fashion companies should incentivize collaboration towards more comprehensive SSCM policies throughout the supply chain.
Cultural and creative sectors and industries are a significant source of jobs and income. They are a driver of innovation and creative skills, within cultural sectors and beyond. They also have significant social impacts, from supporting health and well-being, to promoting social inclusion and local social capital. As national and local governments reconsider growth models in the wake of COVID-19, cultural and creative sectors can be a tool for a resilient recovery if certain longer-term challenges in the sector are addressed. The report outlines international trends with new data, including at subnational scale. It addresses issues in cultural and creative sectors in terms of employment, business development, cultural participation and funding, both public and private. It provides analysis of how these sectors contribute to economic growth and inclusion, taking into account the impact of COVID-19 related crisis on jobs and firms. Finally, it offers recommendations on how to capitalise on the role of cultural and creative sectors in national and local recovery strategies.
This report has been commissioned by the World Intellectual Property Organization, with the objective of presenting the impact of the COVID-19 pandemic on cultural and creative industries, education and research, identifying their initiatives and challenges in facing the pandemic, and consequently, the main trends and trajectories that emerged.
The Freemuse State of Artistic Freedom Report 2022 shows the extent of attacks on artists and creative freedom in 2021 in numbers and infographics that illustrate the stark reality of the struggle for this right. They show the numbers of artists reported killed, imprisoned, brought to trial, attacked, and subjected to other forms of persecution. There is also a breakdown by region and by sector – music, film, and other art forms.
