The work of Europe's creative industry professionals is not only relevant from an economic perspective. It is also important for the promotion of Europe’s diverse cultural identity and European values including equality, democracy and sustainable development. The creative industries and culture also have the power to facilitate transformations of institutions, communities and cities. This sectoral watch describes the industrial context of the sector, technological trends, venture capital investments and startup creation, the supply and demand of related skills and a future outlook with challenges and opportunities.
The Young Africa Connects is a Facebook Live series supported by the Master Card Foundation. It aims to inspire, engage, and uplift young people while amplifying the incredible work being done across the continent.
The latest episode of the series discusses issues related to youth resilience in Africa. During the episode three, young African entrepreneurs discuss their journey, sharing their challenges and how they overcame adversity to embrace or create opportunity. These are powerful lessons in resilience and their stories, provide inspiration to other young people.
These guidelines provide information, guidance and tips on organizing and managing virtual internships. They focus on those aspects of an internship that are particularly important for internships conducted entirely virtually, and these where all activities and interactions are performed remotely.
This research examines the European Union's (EU) push for a circular economy under the Juncker Commission. While the EU promotes a circular economy for environmental and economic benefits, the study finds a gap between its ambitious goals and actual policies. EU discourse emphasizes broad sustainability but policies focus on waste management, suggesting a need for a more comprehensive approach to achieve a truly circular future.
This report explores the latest AI applications and trends in emerging markets and includes several examples of how AI is expanding opportunities and contributing to the achievement of the Sustainable Development Goals.
This publication, Backstage: Managing Creativity and the Arts in SouthEast Asia, draws on the findings of UNESCO’s recent study of the creative sector in the nine countries of the South-East Asian region (Cambodia, Indonesia, Lao PDR, Malaysia, Myanmar, the Philippines, Singapore, Thailand and Viet Nam), which involved a quantitative survey, in-depth interviews and policy analysis. The publication showcases the policy environments in which the creative sector is operating, points out the similarities and differences across the countries of the region, and concretely identifies areas in which exchanges (sharing and learning from each other) and further development can be engineered to unleash the full potential of the sector.
The report offers initial findings and recommendations to development organizations, policymakers, and other private and public stakeholders seeking to address barriers to employment and to promote opportunities for refugee women in the digital workforce in Jordan and Lebanon.
This study assesses the present state of the audiovisual sector in Latin America and the Caribbean in the context of increased demand resulting from the growth of streaming and national industries in the region. The document includes an assessment of audiovisual milestones while centering on current public policy debates and 21st-Century skills. After interviewing and conversing with nearly 100 emerging creators, producers, entertainment executives, government officials, and film association professionals, the research provides an overview of the main challenges and opportunities faced throughout the continent. The research includes a survey of 417 producers aimed at understanding the need for below-the-line (technical) skills in LAC.
This strategic brief shows aquatic food systems have the potential to provide livelihood opportunities for youth but challenges remain for them to join the sector. Multisector initiatives to improve access to training and finance as well as promote digital innovation can improve the participation of youth in fisheries, aquaculture and associated value chains.
Buildher aims to equip women in Kenya with accredited construction skills, which are expected to allow beneficiaries to have greater financial independence and prosperity, to change male attitudes and to promote gender equality within the construction industry.
This study explores how the centres of vocational excellence (CoVEs) implement their autonomous role in public-private partnerships (PPPs), and the specific features and benefits of CoVEs’ collaborations in PPPs for vocational education and skills development. Drawing on selected case studies in six ETF partner countries (Azerbaijan, Georgia, Israel, Morocco, Tunisia and Turkey) and two EU Member States (Finland and the Netherlands), the study provides insights into CoVE developmental processes and practices in PPPs and shows emerging trends that can inform vocational education policy development more widely.
This paper is the first sector-specific quantitative study on the employment effects of the EU transition on a global scale, including ethical dimensions of those effects, as far as we are aware. Overall, this paper contributes to the broader discussion of CE-induced social effects of sustainability transitions. Its results indicate that employment could significantly decrease in low- to upper-middle-income countries outside the EU, in particular in labour-intense apparel production. Employment could increase in less-labour intense downstream reuse and recycling activities in the EU and second-hand retail in- and outside the EU.
What are circular jobs exactly? And how can we ensure the transition to the circular economy is positive for work and workers? This Note gives us circular jobs definition framework defines circular jobs, with examples of jobs that contribute to the circular economy, and explains how this is used in Circle Economy's Circular Jobs Monitor, an online tool that gathers and displays the number and range of jobs that are part of the circular economy.
Through their contribution to urban regeneration and sustainable urban development, cultural and creative industries make cities more attractive places for people to live in and for economic activity to develop. The ongoing COVID-19 pandemic has had a deep impact on the cultural sector, yet it has also revealed the power of cultural and creative industries as a resource for city recovery and resilience. ‘Cities, Culture, and Creativity’ (CCC) provides guiding principles and a CCC Framework, developed by UNESCO and the World Bank, to support cities in unlocking the power of cultural and creative industries for sustainable urban development, city competitiveness, and social inclusion. Drawing from global studies and the experiences of nine diverse cities from across the world, the CCC Framework offers concrete guidance for the range of actors to harness culture and creativity with a view to boosting their local creative economies and building resilient, inclusive, and dynamic cities.
Workers in the cultural and creative sector (CCS) are involved in a wide range of jobs and activities including advertising, gaming, newspapers and magazines, motion picture production, sound recording and music production, as well as live performance and radio/TV broadcasting. In 2015, UNESCO estimated that the cultural and creative sector worldwide generated US$2,250 billion in revenues. According to 2019 ILO estimates, there were nearly 180 million people employed in the arts, recreation and entertainment, representing 5.4 per cent share of global employment. Among these, over 28 million were young people.
This report explores how a well-being approach can help build back better and identifies common well-being priorities for recovery. The proposed solutions include the need to: increase job and financial security of households, particularly of those most affected by the crisis; promote equality of opportunity and mitigate the scarring effects of the crisis on the most vulnerable individuals and workers, with a focus on youth, women and the low-skilled; lift the burden of poor physical and mental health; take decisive action on climate change and environmental degradation, and reinforce trust in others and public institutions as the basis for greater social cohesion in the future.
Before the pandemic, the creative economy was growing rapidly and generating new jobs in every region of the world, predicted to account up to 10 per cent of global GDP by 2030. The crisis has brought this exceptional growth to a standstill, exposing the fragility of a sector dominated by micro-businesses, informal work practices and few tangible assets. Lockdowns have also highlighted the importance of cultural and creative activity in maintaining individual well-being and community resilience. Our contention is not that the creative economy needs public subsidies to resume its previous growth. It does however require governments and multilateral organisations to recognise and address constraints and regulatory structures that have failed to keep pace with the rapid evolution of the sector. Another priority is to rebalance the glaring asymmetry between the growing power of transnational digital platforms and those who have created much of the content on which their prosperity rests.
This report aims to capture the scale of the global disruption caused by the pandemic of COVID-19. It examines the economic impact and consequences of the pandemic on the cultural and creative industries, and explores digital innovations that have emerged in response to this unprecedented crisis.
Cultural and creative sectors (CCS) have been hit hard by the consequences of the COVID-19 pandemic. This study analyses the so far effects of the crisis on the CCS, as well as the policy responses that are formulated to support the sectors. Based on the analysis, policy recommendations are formulated to further improve the resilience of the CCS in Europe in the medium and longer term.
This ‘Culture and the UN Sustainable Development Goals: Challenges and Opportunities’ report results from brainstorming sessions organised as a Voices of Culture Structured Dialogue. The Structured Dialogue framework enables communication between the European Commission and the cultural sector. Its main objective is to provide a channel for the voice of the cultural sector to be heard by EU policymakers, a voice represented by a group of expert practitioners in Europe selected through an open call. These dialogues are also intended to strengthen the advocacy capacity of the cultural sector in policy debates on culture at a European level, whilst encouraging the sector and the Commission to work in as collaborative a way as possible. It is important to stress at the very outset, that the use of ‘culture’ throughout this report is intended to be inclusive, its use embracing, at the very least, the arts, participation, creative and heritage sectors.
